Table of Contents
Articles
| HYPERBOLE IN TELEVISON ADVERTISEMENTS | |
| Christina Maya Iriana Sari, Johan Kristanto |
| LOPAKHIN’S CAPITALIST POINTS OF VIEW DEALING WITH SOCIAL CLASS AND CLASS STRUGGLE IN ANTON CHEKHOV’S THE CHERRY ORCHARD | |
| Andy Dwi Cahya Putra, Eko Budi Setiawan, Rr. Arielia Yustisiana |
| THE PORTRAIT OF DEPRESSION SEEN THROUGH METAPHOR IN WILFRED OWEN’S “DISABLED” | |
| Aprin Kusumaning Wardani, Eko Budi Setiawan |
| LOVE OBSESSION IN GASTON LEROUX’S THE PHANTOM OF THE OPERA | |
| Meica Angellia, Dwi Aji Prajoko |
| THE ANALYSIS ON THE TRANSLATION OF FROZEN MOVIE’S SOUNTRACT | |
| Priska Meilasari |
| IMAGERY DEALING WITH DEATH IN ALGERNON CHARLES SWINBURNE’S “IN MEMORY OF WALTER SAVAGE LANDOR” AND “THE GARDEN OF PROSERPINE” | |
| Maria Herdiana Kuncorowati, Eko Budi Setiawan |
| HYPOCRISY AS SEEN TRHOUGH METAPHOR IN ANNE SEXTON’S “GHOSTS” | |
| Tesa Lonika Barli Putri, Rr. Arielia Yustisiana |
| THE TECHNIQUES AND ACCURACY IN THE TRANSLATION OF CULTURAL WORDS IN GEORGE ORWELL’S ANIMAL FARM | |
| Vina Saphagus Tieas, Eko Budi Setiawan, Dwi Aji Prajoko |
ISSN: 2355-5742